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click here to
read the July newsletter from Gerontius.net which contains a number of items
of interest to singers and choirs

2008
CONCERT DATES
1st November |
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VAUGHAN WILLIAMS
Toward The Unknown Region
Three Organ Preludes on Welsh Hymns
Six studies in English Folk Songs
(with Suzanne Midgley, clarinet)
HAYDN
Creation Mass
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13th December
BACH
Magnificat
VAUGHAN WILLIAMS
Fantasia on Christmas Carols
Carols for Choir and Audience
25th April 2009
MENDELSSOHN
St Paul
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MUSIC SCORES
FOR HIRE
Haydn Paukenmesse
(100 copies)
Haydn
Nelson Mass
(100 copies)
Faure
Requiem
(100 copies)
Please email
Phyllis Taylor
for details. |
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NEW
ADVERTISERS WELCOME
If you would like to
advertise in any or all of our three Programmes for the season please
contact: Olga Depledge via our Secretary,
Eddie Taylor
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This Page was
updated
18/07/2008
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Lytham Vocal Society
Programme from 1928

Click here to see larger pictures
This Site is hosted by
www.NT-Webspace.com
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During
the pre-war days of 1935 a young woman (a GPO telephonist) and her husband would cycle the 5
miles or so from Warton to Lytham to
rehearse Elgar's King Olaf.
This woman was
Kathleen Ferrier who later often
returned to sing solo with the choir before exploding onto the world stage
as perhaps the most famous contralto of all time.

Welcome to
Our Website!
Our Chairman
Alva Marsden
We are delighted you have visited our
website and trust you will find our website
interesting and informative.
As you can see, our Choral Society
has a long and rich musical history and this year, we marked our Centenary
with a special Concert in May at The Grand Theatre
in Blackpool where we performed the Verdi Requiem
with four of our President Barbara's distinguished pupils,
Amanda Roocroft,
Jane Irwin, Jeffrey Lloyd Roberts and Wyn Pencarreg. This was a very special and memorable evening for Lytham St Annes
Choral Society and a fitting way to celebrate our Centenary.

Verdi Requiem rehearsal at The Grand Theatre,
Blackpool
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Our Choral Society Today
We like to think of
ourselves as a large group of friends who share a love of choral music.
We currently number about 100 members and we perform
three regular concerts each year but
also perform extra events such as occasional services
at local churches and evensong at Cartmel Priory.
In
1997 we celebrated our 90th Anniversary with a performance of
Verdi's Requiem at Blackpool's Grand Theatre with our President,
Barbara Robotham, in
the mezzo-soprano solo role. We also sang at the Grand Theatre in 2002
when we were invited to join the London Festival Orchestra in a
performance of Handel's Messiah. This month we returned to
The Grand Theatre to celebrate our Centenary with a wonderful performance of the
Verdi Requiem. By the kind arrangement of our President, Barbara, we had
four of her distinguished pupils of international renown as soloists, all having
studied with Barbara at The Royal Northern College of Music. Together with the
Northern Chamber Orchestra, this must have been the greatest array of talent to
have been assembled in the North of England.
We have an
active social side. In recent seasons these have included parties after each
concert, wine-tasting, barbecues and outings.
Naturally singing does dry the throat and some of us feel the urgent need to
seek medical help immediately after rehearsals at a local hostelry.
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The Lytham St Annes Choral Society
acknowledges with thanks the generous support of The Bluespot Knee
Clinic |
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Our Annual Barbeque was held on the 28th June 2008 at the home of George and Barbara Mason
with Musical 'turns' and other entertainment was its usual great success. More
photos can be seen on the Member's Page
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Our Annual Dinner, 2008 was held in the Atrium at the Dalmeny Hotel,
St Annes and the guest speaker was Marjorie Pennington, Chairman of Fylde Arts and
Blackpool Symphony Orchestra. Marjorie founded and has run the Grundy
Mid-day concerts in Blackpool, she also organises Fylde Arts recitals
at the Assembly rooms. Marjorie was Andrew Barratt's predecessor as
Head of Music at Queen Mary School and was a member of our choir as a
soprano. She was also deputy conductor and sang as one of our soloists
on one occasion.


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Musical
Director
Andrew Barratt
Andrew
Barratt,
our present Musical
Director,
has conducted widely in
this area,
being involved with various choirs and operatic societies.
He has conducted our choral society in over 60 concerts since 1977.
In our centenary season, Andrew will have been our
Musical Director for thirty years and we would like to thank him for his
inspirational leadership over this period in which the choir has
performed more than 60 works, many of them for the first time.
MUSICAL DIRECTORS 1907 - 2006
1907-1946
S H Broughton
1946 1948 H Whitaker
1948-1949 W A Earnshaw
1949-1957 G A Armstrong
1957-1976 Harry Wrigley
1977 - Andrew Barratt
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A
Brief History of
Our Choral Society
It is a commonly held view
that the Choral Society was founded in 1907 although the society possesses a
programme for a concert of the Lytham Choral Union dated Monday March 30th 1891
when a performance of Haydn's Creation
was given in the Baths Assembly Rooms
in Lytham.
Annual concerts were given in
April of each year usually at the Pier Pavillion, Lytham. Concerts from the
first world war period include The flag of St George, The Revenge, The Banner
of St George.
During the 1920's works such
as
Messiah, Elijah, Creation and Hiawatha's Wedding Feast began to make regular
appearances. On December 5th 1929, "The first subscription Concert" of the
Lytham Vocal Union comprised a performance of Judas Maccabaeus.
During the pre- war days of
1935 a young woman (a GPO telephonist) and her husband would cycle the 5 miles
from Warton to Lytham or so to rehearse Elgar's King Olaf. This woman was
Kathleen Ferrier who later often returned to sing solo with the choir before
exploding onto world stage as perhaps the most famous contralto of all time.
Other soloists with the choir
have included Jennifer Vyvyan, Owen Brannigan, Janet Baker, Robert Tear, Barbara
Robotham, Andrew Murgatroyd and Amanda Roocroft.
Over almost 100 years, the society
has had just 6 musical directors, four of them accounting for all but 3 years
out of almost a century of choral music making.
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